Translation, scaling and rotation tools allow you to reposition, resize and re-align after tracking.

You can use points in the object, instead of in the destination, as the basis of the track. Tracking is defined and controlled via ‘To’ and ‘From’ pins that make the operation flexible. King Pin Tracker makes planar tracking directly available inside After Effects, placing signs and other simple or complex objects into shots. New to Primatte Keyer is Core Matte, a tool that keeps the inside of the key solid and uses the luminance in the foreground to preserve fine, semi-transparent details on the edges. Once a matte is generated, controls in the UI are used to salvage and preserve detail, while correcting spill and blending the matte edges into the background. Primatte Keyer for green screen or blue screen chroma-keying contains algorithms capable of pulling accurate keys automatically. Supercomp includes 15 context-aware tools for integrating elements into final shots, such as Light Wrap, Volumetric Fog and Optical Glow. Supercomp is an environment for complex composites in which light and atmospheric effects interact with all layers and elements of a scene in a way similar to the way they do in nature, reducing the time artists need to spend on pre-composites in After Effects. All of the plugins come with a GPU-accelerated engine. Applications include VFX composites for live action footage, automatic chroma-keying, planar tracking, object replacement and removal, photoreal glow effects, prismatic displacement effects and lens flares. The new Red Giant VFX Suite is a set of nine keying, tracking, cleanup and visual effects compositing tools available as plugins to use inside Adobe After Effects for visual effects and motion graphics work.

Red Giant VFX Suite Extends After Effects for Composites and Motion Graphics

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